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A small tunnel leads past Satan and out to the other side of the world, at the base of the Mount of Purgatory. John Milton 's Paradise Lost opens with the fallen angels , including their leader Satan , waking up in Hell after having been defeated in the war in heaven and the action returns there at several points throughout the poem. Milton portrays Hell as the abode of the demons, and the passive prison from which they plot their revenge upon Heaven through the corruption of the human race. Rimbaud's poetry portrays his own suffering in a poetic form as well as other themes.

Many of the great epics of European literature include episodes that occur in Hell. In the Roman poet Virgil 's Latin epic, the Aeneid , Aeneas descends into Dis the underworld to visit his father's spirit. The underworld is only vaguely described, with one unexplored path leading to the punishments of Tartarus, while the other leads through Erebus and the Elysian Fields.

The idea of Hell was highly influential to writers such as Jean-Paul Sartre who authored the play No Exit about the idea that "Hell is other people". Although not a religious man, Sartre was fascinated by his interpretation of a Hellish state of suffering. Hell is portrayed here as an endless, desolate twilight city upon which night is imperceptibly sinking.

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The night is actually the Apocalypse , and it heralds the arrival of the demons after their judgment. Before the night comes, anyone can escape Hell if they leave behind their former selves and accept Heaven's offer, and a journey to Heaven reveals that Hell is infinitely small; it is nothing more or less than what happens to a soul that turns away from God and into itself. Robert A.

Heinlein offers a yin-yang version of Hell where there is still some good within; most evident in his book Job: A Comedy of Justice. Michael Moorcock is one of many who offer Chaos-Evil- Hell and Uniformity-Good- Heaven as equally unacceptable extremes which must be held in balance; in particular in the Elric and Eternal Champion series.

Fredric Brown wrote a number of fantasy short stories about Satan 's activities in Hell. Cartoonist Jimmy Hatlo created a series of cartoons about life in Hell called The Hatlo Inferno , which ran from to From Wikipedia, the free encyclopedia. Afterlife location in which souls are subjected to punitive suffering, often torture. This article is about the abode of the dead in various cultures and religious traditions around the world. For other uses, see Hell disambiguation. Main article: Ancient Mesopotamian underworld.

Main article: Tartarus. This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. October Learn how and when to remove this template message. See also: Gehenna and Sheol. Main articles: Christian views on hell and Christian views on Hades. Main article: Jahannam. Main article: Naraka Buddhism.

Main article: Naraka Hinduism. Main article: Naraka Jainism. Main article: Diyu.

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Main article: Zoroastrian eschatology. Main article: Hell in popular culture. Accessed 7 February John Ciardi 2 ed. New York : Penguin. The British Museum Press. Journal of Ancient Near Eastern Religions. Archived from the original on 26 September Retrieved 18 August Griffith to The Independent , 32 [ clarification needed ] December "Archived copy". Archived from the original on 1 September Retrieved 28 October Archived from the original on 5 November Simon and Schuster. Retrieved 5 August Boustan, Ra'anan S. Reed, Annette Yoshiko. Cambridge University Press, Studies on Biblical Studies, No.

Clarence Larkin. The Spirit World. Philadelphia, PA. Edinburgh, Scotland. Clark; pg. Edward Bouverie Pusey. Traditional Aspects of Hell: Ancient and Modern. The Ascension of Isaiah. Black, Signification of the Proper Names, Etc. The Bible and the Future. Grand Rapids: Wm. Blue Letter Bible. BLB Institute.

Retrieved 26 February Archived from the original on 15 April Retrieved 28 January Oxford: Clarendon Press. Archived from the original on 30 January Charlton T. Lewis and Charles Short. A Latin Dictionary on Perseus Project. Archived from the original on 2 February Unger's Bible Dictionary. Chicago: Moody Bible Institute, The. Bible Gateway. Archived from the original on 3 December Archived from the original on 2 June Archived from the original on 31 October Retrieved 30 April The Christadelphians.

Retrieved 6 August Archived from the original on 18 September Retrieved 10 August Berean Bible Society. Archived from the original on 11 July Several examples illustrate this claim. General as well as particular Baptists developed versions of annihilationism or conditional immortality. Wright For All the Saints?

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I don't believe that. Immortality is a gift of God in Christ, not an innate human capacity see 1 Timothy 6. BBC News. Archived from the original on 31 March Retrieved 30 March See " Second Coming of Christ", " Death and Resurrection", " Millennium and the End of Sin", and " New Earth".

Archived from the original on 22 November Those imaginings shaped our understanding of life before death, too. They still do. The afterlife is an old room in the house of the human imagination, and the ancients loved to offer the tour. Homer has Odysseus sail through the underworld in search of a way back home, to Ithaca. Others suffer extravagantly. Tantalus stands in a pool of water that flees when he stoops for a drink, and he takes shade under trees whose fruits shy away when he tries to grab a bite.

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Like an over-the-hill older brother recounting his athletic exploits, Hercules remembers his first turn through the pit. The Hades drawn by Homer, and, later, by Virgil, in the Aeneid, is not quite Hell as understood in the post-medieval Christian tradition, but it is one of its ancestors. While all of the dead go to Hades, there are tortures specially designed and individually designated for those who acted badly while alive.

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Within this chosen lineage, the meeting between Odysseus and Hercules coaxes a trope into view. From antiquity forward, our stories about Hell often feature some prematurely damned hero—Orpheus or Aeneas, the three Hebrew boys in the furnace or Jesus during his three days dead, the innocent prisoner or the untried detainee—passing through the state of hopelessness, then coming back, blinking, into the light.

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There is something philosophical in the pattern, too—the idea that the extremities of earthly experience inevitably draw us toward the higher themes of justice, balance, retribution, mercy, and punishment. O, what a marvel it appeared to me, When I saw three faces on his head! The one in front was a brilliant red;. There were two others that joined with this one Above the middle part of either shoulder And they merged together at the crest of his hair Underneath each face sprouted two mighty wings, All six proportioned for a bird of great size; I never saw sails of the sea so large.

Pathetic, and almost moving, when you think about it: the worst sinners imaginable, each doomed to everlasting mastication, are guys undone by the successes of their famous friends. Insecurity is a tomb; these are the kinds of midlife crises from which few people recover. One leads, inexorably, to the other. Dante, writing in the early fourteenth century, drew on a bounty of hellish material, from Greek, Roman, and, of course, Christian literature, which is rife with horrible visions of Hell.

Bruce includes an excerpt from the Apocalypse of Paul, an apocryphal third-century text that narrates a Revelation-style reverie experienced by Paul of Tarsus.